Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Conclusion
Illustrations
Bibliography

View Magazine's Marcel Duchamp Special Issue, 1945: Bibliography

Ades, Dawn. Dada and Surrealism Reviewed. London: Arts Council of Great Britain, 1978.

Andre Breton: La Beauté Convulsive. Paris: Editions du Centre Pompidou, 1991.

Balakian, Anna. Surrealism: The Road to the Absolute. New York: The Noonday Press, 1959.

Bottero, Maria. Frederick Kiesler: Arte, Architettura, Ambiente. Milan: Electa, 1995.

Breton, André. Surrealism and Painting, trans. Simon Watson Taylor. London: MacDonald and Company, Ltd., 1972. Originally published as Le Surréalisme et la peinture. Paris: Editions Gallimard, 1965.

---. Manifestoes of Surrealism. Ann Arbor, Mich.: Ann Arbor Paperbacks, The University of Michigan Press, 1972 (1969).

---. What is Surrealism?: Selected Writings, edited by Franklin Rosemont. New York: Monad Press, 1978.

Browder, Clifford. André Breton: Arbiter of Surrealism. Geneva: Librarie Droz, 1967.

Cabanne, Pierre. Dialogues With Marcel Duchamp, trans. Ron Padgett. New York: Da Capo Press, 1987. Reprint of London: Thames & Hudson, 1971.

Calas, Nicolas. "Review of Reviews," VVV, no. 1 (June 1942): 66-69.

Coordinating Council of French Relief Societies, Inc., New York. First Papers of Surrealism: Hanging by Andre Breton, his Twine, Marcel Duchamp, 14 October-7 November 1942. New York, 1942.

Creighton, Thomas. "Kiesler's Pursuit of an Idea," Progressive Architecture 42, no. 7 (July 1961): 104-123.

Daniels, Dieter. "Points d'interference entre Frederick Kiesler et Marcel Duchamp," in Frederick Kiesler: Artiste-Architechte, catolog of exhibiton held 3 July to 21 October 1996. Paris: Centre Georges Pompidou, 1996: 119-129.

d'Harnoncourt, Anne, and Kynaston McShine, eds. Marcel Duchamp. Philadelphia: Philadelphia Museum of Art, 1973.

"Design's Bad Boy," Architectural Forum 86, no. 2 (February 1947): 88-91, 138-140.

Duchamp, Alexina and Paul Matisse. Marcel Duchamp, Notes, arranged and translated by Paul Matisse. Boston: G. K. Hall & Company, 1983.

Duchamp, Marcel. The Writings of Marcel Duchamp, edited by Michel Sanouillet and Elmer Peterson. New York: Da Capo Press, reprint of Salt Seller: The Writings of Marcel Duchamp. New York: Oxford University Press, 1973.

Fawcett, Trevor, and Clive Phillpot, editors. The Art Press: Two Centuries of Art Magazines. London: The Art Book Company, 1976.

Ford, Charles Henri. Out of the Labyrinth: Selected Poems. San Francisco: City Lights, 1991.

Gascoyne, David. A Short Survey of Surrealism. London: Cobden-Sanderson, 1935.

Golding, John. Marcel Duchamp: The Bride Stripped Bare by her Bachelors, Even. New York: The Viking Press, 1972.

Gough-Cooper, Jennifer and Jacques Caumont. Marcel Duchamp: Work and Life, edited and introduced by Pontus Hulten. Cambridge, Mass. : MIT Press, 1993.

---. "Kiesler und 'Die Braut von ihren Junggesellen mackt entblößt, sogar," in Friedrich Kiesler: 1890-1965, edited by Dieter Bogner. Vienna: Löcker Verlag, 1988. Reprint as "Frederick Kiesler and 'The Bride Stripped Bare . . .,'" in Hill, 1994.

Hamilton, Richard. "The Large Glass," in Anne d'Harnoncourt and Kynaston McShine, eds. Marcel Duchamp. Philadelphia: Philadelphia Museum of Art, 1973: 57-67.

Held, R. L. Endless Innovations: Frederick Kiesler's Theory and Scenic Design. Ann Arbor : UMI Research Press, 1982.

Henderson, Linda Dalrymple. Duchamp in Context: Science and Technology in the "Large Glass" and Related Works. Princeton: Princeton University Press, forthcoming.

Heppenstall, Rayner. Raymond Roussel: A Critical Study. Berkeley and Los Angeles: University of California Press, 1967.

Hill, Anthony, editor. Duchamp: Passim. Langhorne, Pennsylvania: G & B Arts International Limited, 1994.

Jean, Marcel. The History of Surrealist Painting, translated by Simon Watson Taylor. New York: Grove Press, 1960.

---, editor. The Autobiography of Surrealism. New York: Viking Press, 1980.

Jouffroy, Alain. Une révolution du regard. Paris: Gallimard, 1964.

Kiesler, Frederick. Contemporary Art Applied to the Store and Its Display. New York: Brentano's Publishers, 1930.

---. "Design-Correlation," Architectural Record 81, no. 2 (February 1937): 7-15.

---. "Design-Correlation," Architectural Record 81, no. 4 (April 1937): 87-92..

---. "Design-Correlation: Marcel Duchamp's Large Glass," Architectural Record 81, no. 5 (May 1937): 53-60. Reprint in Hill, 1994, 110-120.

---. "Design-Correlation," Architectural Record 81, no. 6 (July 1937): 89-92.

---. "Design-Correlation," Architectural Record 81, no. 7 (August 1937): 79-84.

---. "On Correalism and Biotechnique: A Definition and Test of a New Approach to Building Design," Architectural Record 86, no. 9 (September 1939): 60-75.

---. "Some Testimonial Drawings of Dream Images," VVV, no. 1, (June 1942): 27-32.

---. "The Art of Architecture for Art," Art News 56, no. 6 (October 1957): 38-43, 50-54.

---. Inside the Endless House: Art, People, and Architecture: A Journal. New York: Simon & Schuster, 1964, 1966.

"Kiesler, Frederick J(ohn)." In Current Biography 1944, edited by Anna Rothe. New York: H. W. Wilson Co., 1944: 338-40.

Kuenzli, Rudolf and Francis M. Naumann, editors. Marcel Duchamp: Artist of the Century. Cambridge, Massachusetts: The MIT Press, 1990.

Lader, Melvin Paul. Peggy Guggenheim's Art of This Century: The Surrealist Milieu and the American Avant-Garde, 1942-1947, Ph.D. dissertation. University of Delaware, 1981.

Landis, Linda. Critiquing Absolutism: Marcel Duchamp's "Etant Donnés" and the Psychology of Perception. Ph.D. dissertation, Yale University, 1991.

Lebel, Robert. "Marcel Duchamp and André Breton," in Anne d'Harnoncourt and Kynaston McShine, eds. Marcel Duchamp. Philadelphia: Philadelphia Museum of Art, 1973: 135 - 141.

Levy, Julien. Memoir of an Art Gallery New York: G.P. Putnam's Sons, 1977.

Martin, Richard. Fashion and Surrealism. New York: Rizzoli, 1987.

Myers, John Bernard. Tracking the Marvelous: A Life in the New York Art World. New York: Random House, 1981; excerpts first published as "Interactions: A View of View," in Art in America, Summer 1981.

Naumann, Francis. New York Dada: 1915-1923. New York: Harry N. Abrams, 1994.

Nessen, Susan Weil. Surrealism In Exile: The Early New York Years, 1940-1942. Ph.D. dissertation, Boston University, 1986.

Philpot, Clive and Lynne Tillman. "Interview with Charles Henri Ford: When Art and Literature Come Together," Flue (Franklin Furnace), December 1980: 1-2.

Phillips, Lisa. Frederick Kiesler. New York: Whitney Museum of American Art, 1989.

Rood, Karen Lane. "Charles Henri Ford," Dictionary of Literary Biography 48, American Poets 1880-1945, ed. Rood. Detroit: Gale Research Co., 1985.

Sawin, Marticia. Surrealism in Exile and the Beginning of the New York School. Cambridge, Massachusetts: The MIT Press, 1995.

Schwartz, Arturo. The Complete Works of Marcel Duchamp. London: Thames and Hudson, 1969.

Stuckey, Charles. "Duchamp's Acephalic Symbolism," Art in America 65, no. 1 (January 1977): 94-99.

Tashjian, Dickran. A Boatload of Madmen: Surrealism and the American Avant-Garde 1920-1950. New York: Thames and Hudson, 1995.

Tyler, Parker. The Divine Comedy of Pavel Tchelitchew. New York: Fleet Publishing Company, 1967.

View: Parade of the Avant-garde: An Anthology of 'View' Magazine 1940-1947, edited by Charles Henri Ford. New York: Thunder's Mouth Press, 1991.

Weschler, Jeffrey. Surrealism and American Art: 1931-1947. Rutgers University Art Gallery, Rutgers,The State University of New Jersey, 1977.

Williams, Denisha Catherine. The Marvelous Modern Mannequin : the Mannequin in Fashion and Surrealist Photography, 1920-1940. M.A. thesis, University of Texas, 1991.

Wohl, Hellmut. "In Detail: Marcel Duchamp and the 'Large Glass,'" in Portfolio 4 (July - August, 1982): 70-75.