Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Conclusion
Illustrations
Bibliography

View Magazine's Marcel Duchamp Special Issue, 1945: Illustrations (not online)

Figure

1. Marcel Duchamp, The Bride Stripped Bare By Her Bachelors, Even (The Large Glass), 1915-1923.

2. Diagram of the parts of the Large Glass from Richard Hamilton, " The Large Glass," in Anne d'Harnoncourt and Kynaston McShine, eds., Marcel Duchamp (Philadelphia: Philadelphia Museum of Art, 1973).

3. Marcel Duchamp, Front and back covers of View magazine, series V, no. 1, Duchamp special number, March 1945.

4. Duchamp as Rrose Sélavy, photographed by Man Ray in New York, c. 1920-1921.

5. Marcel Duchamp, Fresh Widow, 1920.

6. Marcel Duchamp, Why Not Sneeze, Rrose Sélavy?, 1921.

7. Marcel Duchamp, La mariée mis a nu par ses célibataires, meme (The Green Box), 1934.

8. Marcel Duchamp, Nude Descending a Staircase (No. 2), 1912.

9. Photograph of 1938 "Exposition Internationale du Surrealism" at the Galerie Beaux-Arts, Paris, January 17-February 1938. Ceiling of coal sacks by Duchamp.

10. Photograph of 1942 "First Papers of Surrealism" Exhibition, New York, October 14-November 7, 1942. "Mile of String" installation by Duchamp.

11. Marcel Duchamp, Front and back covers for the catalog of the "First Papers of Surrealism" exhibition, 1942.

12. Marcel Duchamp, ("Prière de Toucher") Cover for the catalog of the exhibition "Le Surréalisme en 1947," Paris, 1947.

13. Installation views of the exhibition "Le Surréalisme en 1947," Paris, 1947, designed by Marcel Duchamp and Frederick Kiesler.

14. Marcel Duchamp, Cover and jacket for Young Cherry Trees Secured Against Hares by André Breton (New York: View Editions, 1946).

15. Marcel Duchamp, Fountain, New York, 1917.

16. Marcel Duchamp, Réseaux des Stoppages, 1914.

17. Marcel Duchamp, Front and back of La Bagarre d'Austerlitz (The Brawl at Austerlitz), Paris, 1921.

18. Marcel Duchamp and André Breton, "Lazy Hardware," Window display for Breton's Arcane 17, Brentano's, New York, 1945.

19. Marcel Duchamp, Boîte en Valise, New York, 1941.

20. Marcel Duchamp, A Regarder (l'autre côté du verre) d'un oeil, de prés, pendant presque une heure [To be looked at (from the other side of the glass) with one eye, close to, for almost an hour, Buenos Aires, 1918.

21. Salvador Dali, Still Life With Boiled Beans, Premonition of Civil War, 1936.

22. Yves Tanguy, The Mirage of Time, 1954.

23. Max Ernst, Untitled, c. 1920.

24. Giorgio de Chirico, The Red Tower (La Tour rouge), 1913.

25. André Masson, Martinique, 1941.

26. Frederick Kiesler with Marcel Duchamp Twin Touch Test, VVV, no. 3, 1943, inside back cover.

27. Frederick Kiesler, Triptych made up of the inner three pages of Les Larves d'Imagie d'Henri Robert Marcel Duchamp, View, series V, no. 1, Duchamp number, March 1945.

28. Frederick Kiesler, First outer page of Triptych, View, series V, no. 1, Duchamp number, March 1945.

29. Frederick Kiesler, Second outer page of Triptych, View, series V, no. 1, Duchamp number, March 1945.

30. Frederick Kiesler, Third outer page of Triptych, View, series V, no. 1, Duchamp number, March 1945.

31. Frederick Kiesler, First inner page (left panel) of Triptych, View, series V, no. 1, Duchamp number, March 1945.

32. Frederick Kiesler, Second inner page (center panel) of Triptych, View, series V, no. 1, Duchamp number, March 1945.

33. Frederick Kiesler, Third inner page (right panel) of Triptych, View, series V, no. 1, Duchamp number, March 1945.

34. Frederick Kiesler, Second inner page (center panel) of Triptych with cut-out flaps closed, View, series V, no. 1, Duchamp number, March 1945.

35-39. Percy Rainford with Frederick Kiesler, photographs of Duchamp in his studio, used as materials for the Triptych.

40. Frederick Kiesler, Surrealist gallery of Art of This Century, New York, 1945.

41. Frederick Kiesler, Page 77 of VVV, no. 2-3, March 1943, rotating "Correalist tools."

42. Frederick Kiesler, Two installation views of "Blood Flames" exhibition at Hugo Gallery, New York, 1947.

43. Frederick Kiesler, Plan of layout for "Blood Flames" exhibition at Hugo Gallery, New York, 1947.

44. Frederick Kiesler, Plan of layout for Salle de Superstition, "Exposition Internationale du Surréalisme," Galerie Maeght, Paris, 1947.

45. Frederick Kiesler, designs for window displays at Saks Fifth Avenue, New York, 1928-1929.

46. Frederick Kiesler, Page 53 from "Design-Correlation: Marcel Duchamp's Large Glass," Architectural Record, May 1937.

47. Frederick Kiesler, Set for Karel Capek's R.U.R., Theater am Kurfürstendem, Berlin, 1923.

48. Frederick Kiesler, Installation of Kiesler Galaxies at André Emmerlich Gallery, New York, 1979.

49. Frederick Kiesler, Device for viewing André Breton's Portrait of the Actor A.B. in his Memorable Role in 1713, illustrated in VVV, no. 2-3, March 1943, p. 78, closed position.

50. Frederick Kiesler, Device for viewing André Breton's Portrait of the Actor A.B. in his Memorable Role in 1713, illustrated in VVV, no. 2-3, March 1943, p. 78, overall view.

51. Print of Marcel Duchamp's hand with analysis, Minotaure, no. 6, Winter 1935, p. 44.

52. Berenice Abbott, detail photographs of the Large Glass, 1936.